Yesterday was my mother’s birthday. When I woke up that morning, I decided I would call her to wish her happy birthday over the phone, then secretly make plans with my dad for a small surprise celebration we’ll have a few days later. But I had an email in my inbox from her, asking if … Continue reading "Where Have You Come From, Where Are You Going?"
Yesterday was my mother’s birthday. When I woke up that morning, I decided I would call her to wish her happy birthday over the phone, then secretly make plans with my dad for a small surprise celebration we’ll have a few days later. But I had an email in my inbox from her, asking if I could look over some materials she had written for a theatre workshop she was going to teach the next day. My mother is very talented – an expert in her field – and very humble. She is skilled at deflecting the conversation away from herself, even while she brings her whole self – her mind, her heart, her listening abilities, and her skills – to every conversation and interaction. This has always inspired me in my teaching. My mother and I love to connect over the fact that I have pursued teaching like her, in my own unique way, and that we bring a similar student-centered philosophy to our work. It’s exciting and humbling for me now, as an adult, to help her proofread her materials and share our thoughts and ideas about ways to bring student interest and engagement to the center of teaching and learning.
My mother’s area of expertise is Arts Integration – designing workshops and programs for classroom teachers to integrate the elements of drama with the subjects explored in history, math, science, language arts, etc. This approach keeps learning active for students and collaborative for teachers, building to a more meaningful and memorable learning experience for everyone involved.
I was first introduced to these methods as a young student in my mother’s drama programs, and the experiences have stayed with me (not only because my mother is around to remind me!). As someone raised by two teachers who became a teacher herself, I’ve always been interested in the ways our upbringing influences the decisions we make in our adult lives about our relationship to teaching and learning. While my area of focus is different than my mother’s, I see our process as essentially the same: provide a student-centered framework for learning, identify student interests, and scaffold a process for growth and creative and intellectual development.
And so I wonder–what influences from family and education are shaping the worlds of our OM high schoolers? What experiences with teaching and learning gained through the family feel most important to you now – feel like the things you will take with you as you go off into the world and into your adult life?
The winter season is my favorite time of year to curl up in my coziest reading chair by the warm fire and indulge in a good book. I have especially fond memories of snuggling in the oversized chair with my children and reading storybooks as the snowflakes fell softly outside the window. Perhaps this scenario is also familiar to you and your family.
When I hear the exciting news that a child has just begun learning how to read, it brings a great joy to my heart. This child has now entered a new realm of learning and a new way of discovering the world. Learning to read is like receiving a gift of a lifetime!
We are fortunate that our modern-day world makes books so readily available. There is a numerous assortment of amazing classics for children, including many Newbery and Caldecott Award winner and honor books. The American Library Association recently announced 2017’s Caldecott and Newbery Awards.
Each year the Association for Library Service to Children (ALSC) also creates a “Children’s Notable” list that identifies the best in children’s books, recordings, and videos.
I recently asked some of my local homeschool students to share the names of their favorite books. It was both entertaining and educational for the other children to hear which book titles were selected. Many were familiar favorites, while the new titles sparked interest in a desire to read some of these unfamiliar books. It was also delightful to listen to each child’s oral summary of their favorite book. We even discussed how our “favorite” books often change because there are so many unknown books that are just as fantastic as the ones that have already been read!
In Oak Meadow’s fourth grade syllabus, a suggested activity for Natalie Babbitt’s book, The Search for Delicious, offers doing a poll for the most delicious foods. It could be inspiring to poll the choices your children and their friends’ favorite books. We can even create a list of your children’s favorite books right here on the blog. My all-time favorite children’s book is Gwinna, beautifully illustrated and written by Barbara Berger. If you haven’t read this story to your children, I highly recommend it!
I had a student that submitted a research paper about the country of Japan. It was really well written, but I was especially taken by the font she used for typing her final paper. It was different from what she usually used. It made such an impression on me that I had to find out what font it was.
I was reminded of the 2005 commencement speech given by Steve Jobs at Stanford in which he spoke about how he came to learn about calligraphy and, inspired by that course, later developed fonts for the Mac. You can watch the speech here.
So. I’ve been thinking how important it is to understand that each of the fonts one may use when typing actually COME from somewhere! They have a history! In my search for the history of one font I see all the time, every where I go, I discovered that there was actually a movie made about the font! You can view the trailer for Helvetica the movie here, and you can also purchase it.
How interesting to know that certain fonts are used to impress the reader! So if I use comic sans, I’m pretty much setting a certain mood. In fact, I may investigate further what font this blog is typed in. (It isn’t possible for me to change it to another font.) I think I’ll also find out which fonts the Oak Meadow curriculum uses.
By the way, the font the student used was Philosopher. Next time you type a paper, think about the font you are using and what impression it may leave on the reader!
Quotes on ceiling of Michel de Montaigne's study in France.
“Among the liberal arts, let us begin with the art that liberates us…”
Michel de Montaigne wrote these words in the late 1570s, when he withdrew from public life to hole up in a tower where he read, wrote, thought, paced, and ultimately, transformed the landscape of writing altogether.
Montaigne was a French nobleman and former magistrate whose life prior to his writing career has been called “unremarkable.” But it is precisely the things society has always called unremarkable that he fixed his mind on when he chose to sit down and begin writing in a style and form the world had never seen before.
Actually, he didn’t even sit. He felt his mind was more active if he paced around his library and dictated his thoughts to another person in the room. When he moved his books into the tower, he had his favorite quotes painted on the wooden beams that held up the ceiling. In this way, he could gaze up at them while walking and allow their ideas to inspire him as he walked.
“For our boy, a closet, a garden, the table and the bed, solitude, company, morning and evening, all hours will be the same, all places will be his study.”
This active approach to writing and thinking makes sense when we consider what he was writing about—ordinary, mundane things that everyone experiences but which no one ever talks about, to this day and certainly not in 1580. These were topics like: “Of thumbs,” “That we laugh and cry for the same thing,” “Of smells,” “Of sleep,” “Not to counterfeit being sick,” “Of the resemblance of children to fathers,” “Of liars,” “Of the custom of wearing clothes,” and so on. They weren’t informational articles, nor were they fictional stories or poems. They didn’t fall into any category of writing that anyone recognized. So what were they?
They were the mind in active work on the page—exploring, questioning, doubting, contradicting, and meandering, through the halls of sciences, poetry, fashion, law, history, morality, and a hundred other topics and disciplines, all with one unifying factor: the pursuit of curiosity.
Montaigne called them his essais, from the French word essayer—to try, or to attempt. Montaigne wasn’t an expert in the topics he was writing about or disseminating his superior knowledge. Instead, he was thinking and writing with a passionate rigor and a humble acknowledgement that learning and the pursuit of truth and discovery are never-ending processes.
“Put into his head an honest curiosity to inquire into all things; whatever is unusual around him he will see: a building, a fountain, a man, the field of an ancient battle, the place where Caesar or Charlemagne passed.”
This active, questioning, doubting, failing, and persevering definition of the word essay has been completely discarded from the American education system (if it was ever really present at all) through the industrialized uniformity of traditional curriculum design. When I say the word essay, I doubt you think to yourself, “Oh yeah, questioning and imagining, meandering and exploring! So fun, I love essays!” but rather, “Five paragraphs, same structure every time, topic sentences, plan the ending before I begin writing, never say the word I, hamburger method, makes me hate writing and feel like I am a bad writer.” At least that is what every writing student has told me the first time I asked them what an essay was.
The five-paragraph essay is one kind of essay, but it is not the only kind of essay, and it should not be the first kind of essay we learn how to write in school. I’ll tell you why: because it does not teach you how to think. In fact, it teaches you the opposite of thinking. It does teach organization of thought—but why should you learn how to organize your thoughts before you have been given the opportunity to think?
What Montaigne got so right in his essays that we should remember in our writing today is that essay writing is not so much about convincing your readers that you are an expert, but rather demonstrating the avenues, sidewalks, flight patterns, maps, and trajectories you’ve traveled to arrive at your discoveries. It’s about crafting a question (such as, “Since it is philosophy that teaches us to live, and since there is a lesson in it for childhood as well as for the other ages, why is it not imparted to children?”), reflecting on your initial knowledge about that question, researching the question, staging a conversation between your thoughts and your research, and reflecting on the discoveries that you made. By learning to think and write rigorously in this way, you also learn all the formalities of grammar and mechanics, and gain a comfort in writing in specific forms like lab reports or the five-paragraph essay.
In the spirit of Montaigne, and this rigorous, independent learning, I’ve designed a new writing course for Oak Meadow high-schoolers called Composition: Expression & Understanding, and you can enroll in the first semester now! Semester two will roll out this summer. This course will prepare you for the independent learning style of Oak Meadow, and it will strengthen your writing abilities in preparation for studies in all disciplines. But most importantly, this course will help you discover who you truly are, what you believe in, and how you want to pursue your own full and meaningful life. At the end of the day, isn’t that what it’s all about?
In through the front door Running around the back Out through the window Off jumps jack.
In last week’s blog post, rhythmic handwork in Oak Meadow’s coursework for grades one through three was the main topic of discussion. This week, the K-8 Oak Meadow teachers teamed up and offered some suggestions and simple alternatives that will help to meet the “heart” of handwork, specifically in teaching the technique of knitting.
Meg Minehan: My suggestions are to first try finger knitting, the knitting mushroom, or the wooden knitting star. My children loved those “tools”, and the process was simple, repetitive and soothing (just like knitting should be). For what it’s worth, my son, Ian, didn’t really take to knitting when it was initially introduced in first grade. However, he picked it up again last year (at age 9) and loved it.
Michelle Menegaz: I agree that teaching knitting as an inexperienced teacher can be challenging.I suggest offering the “pre-knitting” activities and really encourage the home teacher to find a knitter to help them, if possible. Also, Sunny’s Mittens is a great book with a story that contains knitting directions right in the events of the tale. I would read a bit of this and knit along with the story. The child would also knit along, if interested. We would read a bit, knit a bit, stop and get our knitting sorted or show what the written directions in the story meant. Very satisfying!
Lesley Arnold: I highly recommend the DVD, The Art of Knitting 4 Kids . If a tutor isn’t available for knitting, then this video is great! Be sure to also check your library, for many libraries have knitting clubs.
Leslie Daniels: Another site that I absolutely adore and share with my Oak Meadow families is called “Knitted Bliss“. It includes story books to inspire future knitters for three different age groups: ages 2-4, ages 4-6 and ages 6-9. The title of each book is a joy in itself!
Meg Minehan: Shall I Knit You a Hat is one of our favorite Christmas books for 6-9 year olds!
Andy Kilroy: My friend Clare, a long-time kindergarten teacher, loves to take yarn into her classroom and just let her kids play with the yarn – wrap it, wind it, tie bows with it, braid it, touch it – just to get the feel of fabric/yarn on their skin. Then when it comes time to knit, they already have the awareness of yarn as a material. I taught my granddaughter to finger knit (she had never done it), and she was very excited at all the possibilities that opened for her! She has also enjoyed exploring loom knitting from kits. Long live fiber arts – let’s not give up on them!
Anna Logowitz: My micro-schoolers got a great start by making their own knitting needles. They sanded chopsticks smooth, and then glued wooden beads to the ends: nice and simple. It gave them a sense of ownership over their work before they began knitting, which also seemed to increase their frustration tolerance!
As someone who juggles multiple jobs, interests, and artistic pursuits, I find it helpful to identify what each of these endeavors share. I gain a stronger appreciation for all areas of my life when I understand why I engage with each one, and how they influence each other.
Building connections between the different areas of one’s life is something I learned as a student at Bennington College. Similar to Oak Meadow, Bennington encourages students to approach their lives as learners, artists, and innovators holistically: rather than compartmentalizing the different parts of you, how can you step back and observe yourself on multiple levels, then build a complete picture who you are?
I am an essayist, a poet, an editor of a poetry press, and a writing and literature teacher. I also make comics and embroidery art, and write resumes for a career counseling company. These are such different things! What connects them all?
I’m interested in framing devices–finding a frame for a concept, and identifying a form that highlights that concept. This interest in framing is why I make comics, where the juxtaposition of panels, image, and text tell a story all their own. It’s why I write literary essays that spiral around a question. It’s the reason I make embroidery art, where the circular hoop frames the artwork. It’s why I choose artwork for my poetry magazine that matches the style of writing we publish. It’s one of the main reasons I teach writing–to guide students toward strengthening their ability to frame their thoughts, reflections, and arguments. It’s also the reason I work as an editor, where I help professionals learn how to frame their achievements in the best possible light.
I make a conscious effort to pull these threads together by filling my space with phrases and juxtapositions of objects that show me how things fit together. For 2018, I’m using a new planner with the words STILL LEARNING on the cover, to remind myself that I am still learning through all my endeavors, whether it be my new efforts in comics and embroidery, or the fields where I am already experienced, such as teaching and editing. I’m also restructuring my daily schedule to make time for handcrafts before and after long days in front of a screen.
Now, let’s take an Oak Meadow student as an example. What connections can a student build between the following courses and extracurriculars?:
The Hero’s Journey: Introduction to Literature and Composition
Environmental Science for a Changing World
A Sense of Place: The Geography of Global Change
To answer this completely would take the fun out of a student making their own connections, but here’s what I see on first glance:
Ballet uses the French language for all the names of its steps and positions. By studying French more in-depth, a student of ballet can gain a much more grounded understanding of the art form. For example, the word échappé in French literally means “escaped,” and it is the name for a leap where the feet move from close together to far apart! There is also so much to learn about the history of ballet by learning about French culture, where ballet has been tied to the country’s aesthetics for centuries. This interest in the cultures of other countries can carry over to A Sense of Place: The Geography of Global Change, and can go even deeper by engaging with a focused exploration of Environmental Science for a Changing World. The changing world, along with the ways we must change with it, is very much at the heart of The Hero’s Journey, where students read coming-of-age tales that take their heros through unknown lands. And let’s not forget Geometry! Gaining the skills to draw and comprehend shapes and spatial topographies and orientations will be incredibly useful when studying and drawing maps and landscapes in all of these courses. It will also bring clarity to spatial patterns in choreography for ballet (not to mention why and how your body can make the shapes it is able to make!).
There you have it. As we all dive back into our work at Oak Meadow in this new year, I encourage you to identify connections between your courses, your extra / co-curriculars, and the interests that keep you aware, curious, and growing through each and every day.
This time of year I start thinking about the birds in my area. The temperatures are dropping close to freezing. I see birds in great flocks swooping into the bird bath and landing on the feeder. Last week there were about 15 Common Grackles splashing and crowding into my bird bath. The winter is upon us here in New Hampshire. The birds need to eat quite a bit of food to keep up their energy for traveling south. Those that stay will need food all winter. I often look out the kitchen window in the winter to see a little black -capped chickadee at the feeder, and I wonder how it can keep warm. The tiny little feet and the skinny little legs look so vulnerable. They need high energy foods and lots of it! I know there are Oak Meadow students that enjoy watching and feeding the birds. If you do also, then you might like to join the Project FeederWatch that is a program of the Cornell University Lab of Orinthology.
“Project FeederWatch is a winter-long survey of birds that visit feeders at backyards, nature centers, community areas, and other locales in North America. FeederWatchers periodically count the birds they see at their feeders from November through early April and send their counts to Project FeederWatch. FeederWatch data help scientists track broadscale movements of winter bird populations and long-term trends in bird distribution and abundance.“
Here’s one: The Common Grackle often allows ants to crawl over its body so that they may secrete formic acid, which is thought to kill parasites, a practice called anting. Besides formic acid from ants, the Common Grackle has been observed using various other substances, such as walnut juice, mothballs, lemons, limes, and choke cherries in similar ways.
Do you watch the birds? Do you keep a list of the birds you’ve seen? Let us know!
In November of 1895, Alfred Nobel passed away and left a very large amount of his money to go toward a variety of prizes. The prizes became known as the Nobel Prizes. It was a generous beginning to yearly honor work in the sciences, literature, and those people working for peace throughout the world.
I am always most interested in The Nobel Peace Prize. Alfred Nobel’s will stated that the Peace Prize would go to “the person who shall have done the most or the best work for fraternity between nations, for the abolition or reduction of standing armies and for the holding and promotion of peace congresses.”
The 2017 award went to an organization, rather than one person. The Nobel Peace Prize 2017 was awarded to the International Campaign to Abolish Nuclear Weapons (ICAN). This is a world-wide partnership of organizations dedicated and focused on a nuclear weapon ban treaty for the world. What an honorable intention to free the world’s people from the use of a nuclear weapon.
In 1904 Ivan Pavlov won the Nobel Prize in Physiology or Medicine. Some of you may have already studied about him and his ideas. You may be studying Pavlov’s work in the Oak Meadow curriculum. On the Nobel Prize website there are educational pages that have some fun facts and games to play. The one about Ivan Pavlov is great!
“I’m very sensitive to the English language. I studied the dictionary obsessively when I was a kid and collect old dictionaries. Words, I think, are very powerful and they convey an intention.” Drew Barrymore
For those of you in 5th-8th grade, I hope you have your very own dictionary! I don’t mean a digital one. I mean a dictionary that you can hold in your own hand, turn the pages, mark it up, and carry it around with you. Get a dictionary to keep next to you as you study. Make it your constant companion and it will serve you well!
With a dictionary you can find the proper spelling of a word, what a word means, how to pronounce it, the part of speech that it is, and where the word originated. If you are looking for a good dictionary that will last you through the junior high years and into high school, find a Merriam-Webster’s Intermediate Dictionary. Also recommended is the Merriam-Webster Collegiate Dictionary. (Try to get the most recent addition.) For a good thesaurus, try Merriam-Webster’sCollegiate Thesaurus. Both the dictionary and the thesaurus will become your best friends as you go through the year.
Also really useful will be a good atlas for discovering new places in the world. I like Rand McNally’s Goodes World Atlas, but look through a bunch at the bookstore or library until you find one you like. These three items will serve you well for many years to come!
While you are using the dictionary, why not make a dictionary of your own? Keep track of the new words you looked up or found while you were reading:
Get a notebook or put some lined paper into a binder.
Mark a page with each letter of the alphabet leaving about 10 pages in between each letter.
Make a beautiful cover to your dictionary.
Start filling in those pages with the words and their definitions!
This blog post is brought to you by our Oak Meadow teacher, Michelle Menegaz. I think you’ll enjoy it!
Hello Middle Schoolers!
This is a very important alert about the shark-infested waters of the Plagiarism Sea into which many middle school students dive at one time or another. It always starts out as a search fortreasure…the quick path to a wonderfully phrased and well-edited essay or report, but quite soon, the unsuspecting student becomes tangled in strands of broken copyright seaweed and the sharks begin to circle!
As an Oak Meadow teacher, I often notice that some of a student’s writing is almost word for word the same as parts of material in the sources used. (This, by the way, is one of the reasons for including citations for all sources. If no sources are cited, I can not be sure the work is original.) It’s really important that you always write in your own words and not copy sentences or paragraphs from other sources. Copying from other sources is considered cheating, and is taken very seriously at Oak Meadow. The first time it happens teachers give a warning, and if it happens again, it will more seriously affect grades.
Please take time to read more in the Oak Meadow Parent Handbook in the section called “Original Work Guidelines.” This can go a long way towards ensuring that you avoid the weeds and sharks on the way to the true treasure…an original, well-crafted piece of writing or research. I can also recommend the Purdue OWL website. It has some very good content that you could use.
Plagiarism is a very tricky thing to define at times, since excessive paraphrasing can also be considered copying of a sort. There is definitely a learning curve about plagiarism in all its forms, especially with use of the internet. There are many reasons that students plagiarize their work. Using three reliable sources at all times and taking very brief notes from these sources can be enormously helpful. Another possible path to try would be to do the work in your own handwriting, in your own words of course, so there are not cut and paste errors.
It is extremely time consuming for an Oak meadow teacher to verify plagiarized work. Once the first warning is given, any further work that is plagiarized will need to receive a failing grade. Let’s avoid this!
In summary, here is what to do:
*Review the Original Work Guidelines in the Oak Meadow Parent Handbook
*Read the bibliography piece called Citing Your Sources
*Discuss with your parents how to use your own words